Summer Sale! And Ol' Dead Eyes Is Back!
A Year's Subscription + Hardcover Art Book + Signed Comps For One Low Price
I have a few international book drops to make, and then I can start to move out the few remaining hardcovers I printed in case of loss/damage from my Kickstarter of Timing/Luck.
These books will never be reprinted in this format. As a special thank you to my fans, I’m bundling a year’s Substack subscription along with a the signed/limited hardcover edition of Timing/Luck in the cloth bound slipcase, and if that isn’t enough — some of the comps I’m signing will be the rare, SOLD-OUT, not to be reprinted incentive variants to FALLING IN LOVE ON THE PATH TO HELL # 1.
This is kind of the Duggan Blind Box, I suppose?
Loaded with the guaranteed treats of a year’s subscription, the limited hardcover and a roll of the dice of which signed comics you’ll receive, I can just promise you will get some of my personal comps from my Marvel, Image and DC work. But I’ll start with the Falling In Love comps, since they’re currently atop the stack.
All you have to do is click subscribe at the yearly option:
After subscribing for a year, direct message me your mailing address and then I, and Lady Luck will do the rest.
It’s a great deal, as any one of the three items I’m bundling is worth the single price of admission. If you’re outside the US, please direct message me on Substack to arrange a second payment for international shipping - which is likely to be $60-80, unfortunately.
What I’ve recently enjoyed reading: Grommets & Rifters from Posehn, Remender, and some wonderful art teams from Image including Chris Johnson.
I also loved THE ENGLISH on Amazon Prime. Really worth a watch. Six hours of TV and it’s a masterclass in revelations.
It’s brutal, lovely and one of the most beautiful shows in recent or distant memory.
Programming Note: I’ll be signing once more in support of the work at BUTTON MASH in Los Angeles at 6p.
I’m trying to support comic shops near and far this year as I push Falling, and also prep the return of DEAD EYES, THE DARK ROOM and more with David O’Sullivan, and some other surprises.
Those of you that know me know how personal DEAD EYES is to the team, it was a story about a crook in a mask who wasn’t the biggest crook in the story…and then life imitated art.
Well, we’re back and better than ever.
We’re in the catalog for September, and we’re running a nice preview of Dead Eyes: The Empty Frames # 1 in the back of Falling # 3.
Thanks for reading and supporting me. Subscribers, stick around after the jump.
Gerry