The dual strikes seem to have no end in sight, though rumors of back channel discussions continue. Until our negotiating committee informs me of any news, rumors are just static. In the meantime, the overwhelming majority of Americans support the striking guilds.
As a writer, I’m a collaborator in a bunch of small businesses. Each comic book is its own enterprise, and everyone is rightly concerned about the impacts of artificial intelligence.
The danger for us all is that in the hands of the studios it will be a plagiarism machine. It might be a while before A.I. is making you laugh or breaking your heart with its writing but our worry is the studios iterate on scripts and then slide it across to a WGA member to “human it up”. It’s a real and existential threat and would certainly cull the humans in the guild until perhaps it financially can’t exist anymore. I love my guild. This strike is not about today it’s about protecting tomorrow. Actors are most at risk from A.I. for obvious reasons and that’s why AFTRA-SAG has raised their banners.
It’s not all doom and gloom however. A.I. will be an important tool in the hands of artists. I’ve already used it to un-fuck photos I botched. Like this one of Josh Cassara from the first Hellfire Gala at San Diego Comic-Con 2023.
I’m going to guess that A.I. will help ease the problems that VFX artists are suffering. They’re having great success unionizing after carrying Hollywood around like a wounded war buddy for years now. I don’t think VFX jobs are going to be lost, I hope VFX jobs become easier.
I think it’s inevitable that A.I. will come for jobs, and not necessarily the ones that we think of as creative jobs. Before that happens we better have a plan for universal basic income, or the country will be New Detroit before we know it.
The US copyright office is currently not granting copyrights to material generated by A.I. and that’s the right decision. (More on that in a moment)
This week Scott Koblish and I are printing the physical collection of The Giant Kokjü which was serialized first on Substack. Take a look at the last line of our updated indicia before the printing details:
If you are making art, I ask you to consider the reserving the same right for yourself. Do not consent to training generative A.I. with your collaborations. If a company that outright owns its own material wishes to train an A.I. on the stories and art it owns, that is their prerogative. If someone wants to buy your story from you and the right to train their A.I. on your creation, then…
…what’s your story worth?
I don’t think writers and artists are asking that question, and we should.
For the next two months the United States Copyright Office is asking for public comment on A.I. for the purpose of how to craft rules governing it moving forward.
I implore all writers and creatives to comment here.
I can assure you, the overly large companies that should be broken up will be commenting and they’ll be commenting with political donations.
More this week. I’m proofing letters from Joe Sabino on the Paladin Of Axes. You should be reading chapter one as soon as I get his notes back.
Gerry Duggan
PS - Timing/Luck is on for on sale here while supplies last.
The main, sort of over arching problem with AI is the humans who use it, in the sense that 1 person might see the worth of an AI program while also being aware of the potential dangers or issues, then they work to figure those problems out before putting it out into the world. While too many others will just put the AI into the world & either not care about possible consequences or are happy to wait & see what might happen, even with the intention of resolving any negative issues later.
I talk about this in other businesses, often using Uber as an example. The core idea was to change or create a new, modern version of taxis, but they focused on only parts of that & of course were mainly focused on profit. But it seems like they never looked at the former taxi business, to look for either current problems, or ongoing problems, or even solved problems, to PREVENT problems. Letting women work for Uber with no consideration for the data of how dangerous life can be for women, seems like an obvious failing to me, & worse, even when the first reports of assaults started coming in, they still didn't sit down to work on the problem until the public outcry was loud enough.
I really wish we had an agency or organization that just looked at new businesses or ideas like AI art programs, to look for dangers & problems so we can avoid this wild west shit every time someone has a new idea or spin on an idea, because our entire culture is so geared towards make profit, make a lot, make it fast & hey, when you're successful enough, you can just factor in the cost of being penalized by the court, or sued by victims & it doesn't even matter cuz the profits are so big.
I keep hearing from the pro-AI crowd that naysayers are like people who fought against the car in favour of horses.
But if we extend that, look at how much that changed the way we exist in the world entirely.
We didn't just say "now that you have a car, you can drive over whomever or through wherever you want." We build roads and rules for them (even though it took too many people flying through the windshield to figure out we should probably strap in.)